The full black appearance detailed with the tattered edges is villainous by default, but the skulls placed on her hip and shoulder truly depict a heartless being. It provides the true assassin’s touch while showing that Widowmaker’s work is seamless, where one can’t detect her. Rather than her ponytail, it is a long hood with a large raven-like headdress. Samples are 512x768, without HighRes.fix, using OrangeCocoa 50/50 Mix, with OrangeMix VAE, and using EasyNegative embedding, CLIP Skip 2.Widowmaker’s character truly embodies Ange de la Mort, the angel of death. Trained on Anything V4.5 with and CLIP Skip 2. Review and comment with your experiences, I would appreciate whatever feedback you can provide in order to continue improving my technique. Press "Send to inpaint" button under generated image, mask the face area with drawing tool, choose DDIM sampler, set "Inpaint area" to "only masked", and set denoising strength to 0,5. Inpaint guide: if face on full body shots comes out deformed\not detailed enough - it's easily fixed with single inpaint, whole process takes half a minute. Review and comment with your experiences, I would appreciate it. I also have a Patreon if you prefer to support through there. Making and testing LORA's takes quite a bit of my time, so I would appreciate if you bought me a coffee (you can also commision me there). Miscellaneous - cote d'azur, back\arm tattoo, pauldrons, armored boots, gauntlets, sarong Talon outfit - widowmaker_talon, armor, black pants, midriff, navel Outfit - head-mounted display, visor, bodysuit, gloves, high heels Main\Face - widowmaker, ponytail, purple skin (drop it for pale\beige skin ) Updated triggers below, everything should be flexible. V.2 Update: going back to update a few of my first LORA's to be more in-line with my newer ones, starting with Widowmaker, hopefully improving accuracy and stability.
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